Thursday, July 10, 2025

Amelia Sijo By April Ridge

She awoke from the capsule gasping for air and naked, exposed.


Mechanical eyes on sticks watch her as she steps out, cautious.


Amelia Earhart, abducted by aliens, released!




April Ridge lives in the expansive hopes and dreams of melancholy rescue cats. She thrives on strong coffee, and lives for danger. In the midst of Indiana pines, she follows her heart out to the horizon of reality and hopes never to return to the misty sands of the nightmarish 9 to 5. April aspires to beat seasonal depression with a well-carved stick, and to one day experience the splendor of the Cucumber Magnolia tree in bloom. 







Tuesday, July 8, 2025

CELLOPHANE VIOLET by Cindy Rosmus

                             1983

           “He wrote a book?” Sorehead said. “That loser?”
 
            I cringed. Nothing like a worse loser calling the guy you liked one.
 
            “Cheap drunk,” Frankie poured himself a beer. “Drinks our pitchers, but when it’s time to ante up…”
 
            Dreamy-eyed, Brian would strike a pose, recite his poetry. Here, at Liberty State’s pub, he was famous. At least to me, a writer, too. I was scared to show anyone my stories. Instead, I hid them in my dresser.
 
            “C’mon,” Frankie said once. “How bad could they be?” I shook my head.
 
            Brian got it. “’Fear,’” he’d quoted, but just to me. “’Of failure, of not putting yourself out there . . . into someone’s arms.” My heart leapt, though his words made no sense.
 
He was so cute, with long-lashed brown eyes, and that sparse mustache. Like a teen trying to look grown-up. Who cared if his poetry was screwy?
 
            “A chapbook,” I said. “That he published himself.”
 
            “Of his fine poetry?” Sorehead sounded respectful. They both laughed.
 
            In my tote bag I had a copy, but I wasn’t sharing it. Bad enough it was stapled, inside a purple plastic file folder . . . But if they knew I’d paid for it . . .
 
            And he can’t buy a pitcher? they’d say.


            “What’d he name it?” Frankie asked. “This so-brilliant-I-couldn’t-wait-for-a-real- publisher-I-had-to-do-it-myself poetry book?”
 
            Again, I cringed. “Cellophane Violet.”
 
Like hyenas, they laughed. Sorehead almost fell out of his chair.
 
            “Why cellophane?” Frankie said. “Why not plastic? And what’s wrong with purple?”
 
            “Too hard to rhyme,” Sorehead said. “But violet, there’s forget, regret, Corvette. Debt! Like you’re in so much debt, you can’t chip in for . . .”
 
            “Shelley!” they yelled, when I stormed out.
 
            But I was never mad for long. I loved those two jerks. Not like how I loved Brian, but . . .
 
            Every time that Police song came on the jukebox, I swelled up. “Every . . . Breath . . . 
You . . . Take.” I knew Brian was watching me. Waiting. . . .
 
            Would he ever make a move?
 
            If he only knew I slept with Cellophane Violet.
 
            Violet. Debt. So much debt . . .
 
            That’s it! I realized. A party at my place. Just beers and snacks. 


With free booze, I couldn’t lose.
 
My own rhyme made me smile.
 
“I’ll be there,” Brian promised. Eyes sly under those long lashes.
 
“’Course he will,” Frankie squeezed a six-pack into my fridge. “Empty-handed.”
 
He and Sorehead had shown up first. Next, my neighbors: Lonely Nathan, who brought a case of Bud. Sammy, the newest tenant, whose one unpacked box (labeled “Open this first”) held a half-gallon of rum. Raul, the super, with his new fat girlfriend.
 
“Mami!” As Raul squeezed me, Fatty Pants glared.
 
Great, I thought.
 
The Jackson Brown cassette should’ve mellowed us out. For once, my tiny studio was clean. All I could afford with my shitty job. Kitchenette, tiny bathroom, half-living room/half- bedroom. No matter where you stood, my bed and desk were in plain sight.
 
On top of the desk, you couldn’t miss the flash of purple . . .
 
The crudely stapled Cellophane Violet.
 
“Where’s Dylan Thomas?” Sorehead said.
 
“That old poet?” Nathan nursed his beer. “Thought he was dead.”
 
“Dead thirty yearsss.” Sammy had showed up trashed, with only one eye open.
 
“Put on some real music!” Raul said. “Let’s dance, Mami!” Fatty Pants glared harder as he pulled out his Spanish music cassette.
 
Hours passed. Where was “Dylan Thomas”? If he didn’t come, I would die.
 
“I’ll be there,” he swore.
 
My gut ached. Even with Nathan’s case, we were almost out of beer. Raul and I had danced a few times, then I got dizzy. For spite, Fatty Pants had eaten all the Cheese Doodles.
 
“He ain’t comin’,” Frankie said smugly. I was close to crying.
 
Then, out of nowhere, Brian showed up! If he’d knocked, or rung the bell, Raul’s last tune had drowned it out. But here he was.
 
“Hide that rum,” Sorehead told Sammy.
 
In the doorway, Brian swayed, with this strange look. Like he’d just woke up, but he wasn’t sure from where.
 
Did he even know he was here?
 
“Go get ‘im!” Frankie said as I went over to Brian . . .
 
Whose pants were on backwards.
 
I stood close, to block the others’ view. Smashed myself, I still smelled the all-day drunk on him. His bloodshot eyes looked through me.
 
“Want a drink?” I said. 


“Yeah,” I heard from behind me. “He looks like he needs one.” Fatty Pants’s first words of the night.
 
We’d run out of beer. But in the fridge, behind the SlimFast mix, was my emergency beer. Only for Brian would I give that up.


“I’m glad you’re here.” My hand shook as I gave him the beer. 


He cracked it. After a big gulp, he wiped his mouth on his sleeve. Finally, his eyes focused. “Me, too.”
 
Nervously, I looked down at the floor. When I looked up, he was leering.
 
“I was gonna grab your ass,” he said, “But I’d rather read your stories.”
 
I almost fell over. “Huh?” My face felt red-hot. No way! 
 
In my mind, I saw them, in composition notebooks, in the dresser drawer, tucked between my bras and panties.
 
Like he’d read my mind, he marched past us all into my bedroom.  
 
“What’s he doin’ in there?” Frankie said, a little while later.
 
“Waiting for you, Mami,” Raul told me.
 
Sammy was out cold. I splashed some rum into a used cup, downed it, then went into the bedroom.
 
Somehow, Brian had found my notebooks. Maybe he really had X-ray vision. Or he guessed which drawer they were in. Bras and panties had been flung about. His back was to me. My favorite bra, the black lacy one, was draped over his shoulder.
 
Hunched over, he was scribbling something. Shook his head, then grabbed a handful of his hair. “No! No!” he said. “Say it like this.” Again, he was scribbling.
 
Correcting my stories.
 
Trembling, I sank down on the bed.
 
He turned and gave me a haughty look. “No wonder you keep these hidden.”
 
I opened my mouth, but no words would come. 


He winked.


“Get out,” I said.


He wrapped my bra around his neck and picked up Cellophane Violet. Kissed the top of my head and left.
 
It had got quiet out there. Then a click, as Raul ejected his dance cassette. Footsteps, as most guests left.


“Shel!” Frankie called out, finally. “You OK?”
 
I clutched the notebooks to my chest.
 
“Say something.”
 
“Violet,” I whispered. “Regret . . . Forget.”
 
 
THE END
 
 





 
Cindy originally hails from the Ironbound section of Newark, NJ, once voted the “unfriendliest city on the planet.” She talks like Anybodys from West Side Story and everybody from Saturday Night Fever. Her noir/horror/bizarro stories have been published in the coolest places, such as Shotgun Honey, Megazine, Dark Dossier, Danse Macabre, The Rye Whiskey Review, Under the Bleachers, and Rock and a Hard Place. She is the editor/art director of Yellow Mama and the art director of Black Petals. She’s published seven collections of short stories. Cindy is a Gemini, a Christian, and an animal rights advocate. 


Monday, July 7, 2025

Bad Fruit by Jerry Johnson A Review By Dr. Michael Anthony Ingram


Jerry Johnson's Bad Fruit is a powerful and skillfully crafted collection of poetry that confronts America's most vulnerable social issues with unadulterated honesty. Within the 18 poems, Johnson braids racism, capitalism, environmental destruction, and political corruption into a narrative entity, yielding what one critic calls "a wake-up call, a cry in the darkness." 


A key element of its strength lies in Johnson's ability to balance raw emotional intensity with meticulous writing and sharp, lyrical prose. His poem "The Race" offers a compelling 400-year snapshot of the racial imbalance in the United States, while "November 22nd, 1963" chronicles personal and national innocence lost after JFK’s assassination. 


The metaphoric imagery in Johnson's work is strongest when it appears in lines like "I compartmentalize my shaky/nerves into my own baggage/claim where all my drama's stored." This vivid imagery turns abstract feelings into tangible, relatable moments.


Even dealing with serious topics, Johnson keeps hope alive throughout the book, pointing to the promise of spring after the harshness of winter. Bad Fruit is a book for our times that seamlessly combines art value with dark social commentary.





https://www.gnashingteethpublishing.com/books/bad-fruit/?srsltid=AfmBOorMx0_mUEC_dJDHUimAhfru4NJonfZEegn_THPYzHjTcAaNq0di







Dr. Michael Anthony Ingram is the host and producer of the internationally recognized poetry podcast Quintessential Poetry: Online Radio, YouTube and Zoom. Through his work as a retired associate professor of Counselor Education and Supervision and as a noted poet and spoken word artist, Dr. Ingram also leverages the arts, especially poetry, to bring attention to the effects of power, privilege, and oppression in our society. He is a Pushcart Prize nominee, and his second poetry collection, Metaphorically Screaming, is eagerly anticipated. For more information about Dr. Ingram or the podcast, visit https://www.qporytz.




Thursday, July 3, 2025

AFTER THE APPLES By Susan Isla Tepper


A stream barely flows

at the densely wooded crossing—

more a bubbling mud hole

stretching

the cows slogging

toward open pasture

to dine on fallen apples


Trees spaced here and there

large and gnarly, spreading

Planted with cows in mind

or some unplanned miracle?


From a distance

I watch them becoming playful.

Their moment of heaven.


In the barns in long lines

day by day for hours on end,

slotted tight

they face one direction.




Susan Isla Tepper is a twenty year writer and the author of 12 published books of fiction and poetry. Her most recent novel “Hair of a Fallen Angel” was released by Spuyten Duyil, NYC in early October. Check out the Official Video for this book on YouTube 

link: https://youtu.be/W2HVIc4NrqYriter 

Tepper has also written 5 Stage Plays. www.susantepper.com





Saturday, June 7, 2025

The predawn hunt for vision__ By Merritt Waldon



Throwing a grenade through the Stargate


Leaving behind the mindless hordes 

Of dreamless poets


I power walk across the folded

Universe 


Laughing to myself

About the flaming shit bag


Left in the writers guild of eternity’s 

Front steps

Dove in to a wormhole made of jazz

& Slid 


Back to Pistol City 

Just in time

For rendezvous

With the hounds

Of the goddess 


For the predawn hunt

For vision







Merritt Waldon is Southern Indiana poet who has been published in Road Dawgz, Sun Poetic Times,

The Brooklyn Rail, Be About It Zine, River Dog #1, Sparring with Beatnik Ghosts, Americans & others anthology fourth edition, Crisis Chronicles, Cajun Mutt Press, Thye Rye Whiskey Review, and Fearless!.

At midnight Christmas night 2020, cajun mutt press released Oracles from a Strange Fire by Ron Whitehead & Merritt. He lives in Austin, Indiana.



Monday, May 12, 2025

Stumbled Upon By Susan Isla Tepper


How many times

I’ve walked these streets, 

driven them, looked out 

at them from 

the side window of the car


These houses and gardens

the playing fields

all seem brand new

stumbled upon 

for the first time


The way a place appears 

in a dream and you wake up

shuddering—




Susan Isla Tepper is a twenty year writer and the author of 12 published books of fiction and poetry. Her most recent novel “Hair of a Fallen Angel” was released by Spuyten Duyil, NYC in early October. Check out the Official Video for this book on YouTube 

link: https://youtu.be/W2HVIc4NrqYriter 

Tepper has also written 5 Stage Plays. www.susantepper.com





Sunday, May 11, 2025

Black Witch By Strider Marcus Jones


the way you drink your beer

straight from the bottle-

my low civilisation could topple

over you.

some talking dirty in my ear

while you ride at full throttle,

i'm in deeper than the darkest shade of blue-

straight down the middle

head thrown back and giggle

bowstring

rocking

finger plucking

bluegrass fiddle-

harbour in oblivion

black witch of obsidian

born in that pavillion

the empire new.





Strider Marcus Jones – is a poet, law graduate and former civil servant from Salford,

England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of

Lothlorien Poetry Journal https://lothlorienpoetryjournal.blogspot.com/. A member of

The Poetry Society, his five published books of poetry https://stridermarcusjonespoetry.wordpress.com/ reveal a maverick, moving between cities, playing his saxophone in smoky rooms.

  

His poetry has been published in numerous publications including: The Huffington

Post USA; The Crossroads Magazine, The Stray Branch Literary Magazine; Crack The Spine Literary Magazine;The Lampeter Review and Dissident Voice.