Thursday, June 24, 2021

burning his matchstick fingers his hair went up like a wick by john compton

part one


i have found terribler things
in words - they’ve forced me to realize
blood pools in my heart
& stagnates
 
     |
measure me to the dead
the similarities are uncanny
you won’t recognize
the life from the embalming fluid
     |
   give me more than rejections
   thank you but no thanks

     |

i am neither an accomplishment
nor a recognition -
in the order of beginning
i wait

but in determination

     |
lost in the atmosphere
wanting the flames
to undress my body & ashes
cover my mother’s face.
i want her to remember
a beautiful son
 
     |
 
imagine being sacrificed
but instead of red,
smoke pours out
smelling of incense
& how gorgeous
the cloud would form
     |
we comprehend the smallness.
the ivory cut from the horn
fitting in the palm
yet how long did it take the carcass
 
to convert to the same size?

     |
when i killed my only deer,
i cried. it wasn’t that she was dead
but alive, observing her blood.
she pled from her eyes.
my father told me to shoot her again,
not evil, but love. the second bullet
would be peace -
where the first forgot its duty.
     |
 
i curve lines to the east
hoping
they become less human
& build a church from poems
so god will understand
how religion can congregate
into a manuscript & be written
by men who have no factions
to worship him
     |
i regain consciousness
from this delusion
to confess an atonement
reality is suspicion.
 
& yes, if you believe
god formed man from dirt
& eve from our rib
then eat the apple i give
 
let’s bind ourselves
in such sin as two men
two lovers destined together
in this unholy regime
come unwrapped
& exposed
praying in a religious tongue
that you will take me
into the peril of the unknown.
your hands bound
the misinterpretations -
let me be as i was born.
     |
                    part two


the homophobic transform me subpar,
a lowering class. the indecent -
my overexposed begins to corrupt
the innocent eyes of our youth.
my sexuality has developed, somehow,
these foul-mouth-tongues licking sperm
off the belly of men consecrated
to develop them into beings
 
that make their ideology
into a wholesome form.
you give blame since they walk
in the footsteps of a devil
created by imagination.
     |

i am enclosed with barbwire.
they want to love me with prods:
jesus & god.
they have named me homosexual -
enunciating ways to cleanse me.
i fancy how many more women
they’ve tasted than i have men.
i marvel at their hands & how many stones
they’ll be able to throw before the first one
hits me with ease.
let’s mix mud & blood & meat.
it will be gorgeous with those smiles they’ll add.
 
     |
 
my anger should not be planted as flowers.
they would kill your garden. they would learn
how their roots worked. they would follow
you & stay just close enough. they would represent
every statement i found false. they would know
how to reach your ears & wallpaper petals
onto your lobes. they would try to teach you love.
     |
your fear becomes holy. your marriage frail,
so you decide mine will ruin yours.
 
your sentences begin to infuse scripture.
 
you begin to plagiarize things you believe
because you cannot conjure words that are real.
 
you want god to love you because no one else can.
 
your sin turns into a plague
& the only way you feel repentance
is to condemn.
     |
amen. let me turn your heads:
jesus never married, had disciples: men.
judas turned against him. jealousy
comes from the bed. if i can’t have you
no one can. love & war have no rules
& neither are to be played.
     |
your mouth is my grandmother’s.
now she speaks with her dead voice
from your vocal cords.
the sharp vowels try to pin my conscious—
strong consonants devalue my power
the words themselves leak resin.
wife & children escape her teeth
trying to catch me. she cannot understand
i don’t want either,
that i am not gay because i choose to be
but simply: i am.
her pyramid scheme of love is ancient.
   she drives to me with prayer.
   i turn her away with heat.
     |
i taste the cock like a branded whiskey.
 
i close my lips around the neck
until it’s lax
& exhausted & can’t raise its head.

the liquid is a poison that vacates oxygen
& that is when i release it
back into captivity.
it hits the air like a drowning animal
barely escaping its predator. 
     |
 
                  part three
 
i felt her ribs, loose & tarnished,
like jewelry that never fit
 
they moved under her muscles,
rivetting across broken seams
 
each bone diagonal with a finger:
i want to play her music
her seventeen-year-old violin
 
but the strings are corroded
& i’m afraid i’ll be mis-carried
 
     |
if my father had not sewn his palms
to my mother’s womb
i would have never known his existence
his voice like vinyl, thick & scratched,
barely audible through the skin -
if he had known my ears worked
maybe his voice would have been louder
& he wouldn’t have been afraid to say
i love you.
     |
 
my birth caused hemorrhaging.
i broke my mother open, excavating
through placenta & breath.
my first scream became default.
i knew the hospital walls -
for three days i studied them
waiting to find my mother’s face.
that day i killed parts of her
she would never replace
but her smile didn’t condemn me;
her voice lulled awakening.  
     |
 
i want to eat her voice.
the way the words sound soft,
easy to swallow -
thick in my throat & fulfilling.
 
to feel it drum on my stomach -

each vibration different
from each vowel & each consonant.
the rolling r’s & the s’s hiss.
     |
i became the identity of my father.
 
the nude body stands damp.
the shower is nemesis
revealing in full disclosure
what the human form hides
under rags.
 
he wipes the mirror with his calloused hand,
cleans the relief steam gives
with the eyes of a wolf.
the false prophet becomes inescapable
from his time.
 
his round face, thinning hair, lagging smile
mimicking the reflection
i held - this man,
an intrusive stranger with my eyes
i wish i’d never have to acknowledge.
an infant, turned boy,
then man.

     |
 
i am damaged, less like my father
& more like mother. no,
i have collected brokenness
from both.
 
father’s is hard to find.
he hides it inside his chest
but if you’re patient you’ll see
the indifference, the indignity.
mother’s sits on her whole self.
it is vulnerable & loud:
thunder & bombs & the crying child
left until touch becomes a stranger & hurts.
i am the hybrid of many generations.
     |
 
          part four
 
middle school was a zoo of monkeys
& hyenas. i was bred from a class
of herbivores: i had a taste
for books & learning.
 
i hadn't been discovered yet
to be added to the endangered species list.
 
dark corners
& small back tables
were my nesting ground.
 
i found devotion
in the margins of my notebooks.
 
     |
 
i grew from malnutrition
& devoid -
 
learned like a spider
to spin my web of poetry
 
weak & somber:
in the beginning i captured nothing
 
though i thought every pen stroke
a masterpiece.
 
i learned each poem
like it was family:
a new sibling.
i acquired so many
 
studied their hands & faces
because i knew eventually
they would all die.
 
& sadly, everyone did.
consumed in fire their bodies
bursting into stars.
 
i only wished
that the next
wouldn't wander
that far from my heart.
 
     |
 
high school became a hunting ground.
poachers with their high-powered rifles.
they never killed but maimed:
the enjoyment was tracking their prey.

     |
three students threatened
to tie me to the bumper
with rope, tight enough
to cut into my skin,
& drag me
until i was roadkill.
i could only imagine
how long it would have taken;
my blood slick like oil.
the pavement would have held an honor.
it was dark in the classroom.
their threat was covered
by the sound of a man talking
on a tv screen.
no one tried to intervene
to save the gay kid.
i quit school as a junior.
 
     |
 
                    epilogue
 
you can never write a poem once.
each word constantly evaluated
at a hundred different angles:

transformed, transplanted, reduced,
remolded, reshaped, rearranged,
reorganized, replaced.
an auditorium of dead poets
always writing, always modifying,
concealed inside your head.
 
twenty, thirty, forty versions
of every line, simultaneously,
& then i’m writing
to edit, to rewrite.



john compton (b. 1987) is gay poet who lives in kentucky. his poetry resides in his chest like many hearts & they bloom like vigorously infectious wild flowers. he lives in a tiny town, with his husband josh and their 14 dogs and 3 cats. he feels his head is an auditorium filled with the dead poets from the past. poems are written and edited constantly. his poetry is a personal journey. he reaches for things close and far, trying to give them life: growing up gay; having mental health issues; a journey into his childhood; the world that surrounds us. he writes to be alive, to learn and to grow. he loves imagery, metaphor, simile, abstract language, sounds, when one word can drift you into another direction. he loves playing with vocabulary, creating texture and emotions. he has published 1 book and 6 chapbooks published and forthcoming: trainride elsewhere (august 2016) from Pressed Wafer; that moan like a saxophone (december 2016) from kindle; ampersand (march 2019) from Plan B Press; a child growing wild inside the mothering womb (june 2020) from ghost city press; i saw god cooking children / paint their bones (oct 2020) from blood pudding press; to wash all the pretty things off my skin (september 2021) from ethel zine & micro-press. he has been published in numerous magazines and anthologies.





Sunday, May 9, 2021

SIFTED by Susan Tepper

It’s the yellow river 
reflecting off
a yellow sky 
or is it
the other way—
uncompromising
pool of piss
lowered into 
a stagnant time
Only so far as 
your shoulders
quaking fear—
Sudden abandonment
bloodied your eyes
this Spring
while you sifted
sifted through 
hopeful as any prospector
panning for gold






Susan Tepper is a twenty year writer in all genres, and the author of nine published books.  Her most recent are CONFESS (a poetry chapbook by Cervena Barva Press, 2020) and a quirky road novel WHAT DRIVES MEN (Wilderness House Press, 2019).  Currently Tepper is in pre-production of an Off-Brdwy play titled THE CROOKED HEART which she based on artist Jackson Pollock’s later years.

www.susantepper.com


Wednesday, April 7, 2021

I Made It Past Stage One Interviews : Now Comes Stage Two - Team Building by John Doyle

Pin stripe suit/clean shirt and tie/stops off at the corner shop/to buy The Times…
Bruce Foxton 1979
 
To see if we can make it 
in retail and customer service
they take us for the day to some mid-grade hotel. It's nice here, 
says a guy who clearly watches Star Trek - 
 
I can tell already he's made it.
They sit us down in a conference room, set out some tasks -
5 seconds in, I'm looking for connections
between stacking shelves 
 
and locating firewood on a desert island 
should our metaphorical jumbo-jet ever come down;
it seems a little out of synch to me, 
but this William Riker type, well done kid, 
 
he's already solved it - beam him on up to level three -
regional sales and accounts - 50k per annum allegedly, 
and that’s after tax.
Nathan, from County Down, sits in,
 
he's been recruitment manager nearly 3 years,
and you can tell he's down with the common man -
his Thomas Shelby haircut's really en point -
and the girls seem to like his Viking beard.
 
After three minutes I'm saying goodbye
to my ass at a till in their Kildare branch,
it was firewood, food, shelter, in that order,
as I watch fanboy ascend to executive director.
 
Nathan is really nice though,
wishes me well with my book -
I'll call it Everything You Ever Wanted to Know About Stacking Shelves on a Desert Island,
then I head for my bus. 
 
Outside I meet the ghost of Mickey Goldmill;
dems are de breaks Kid,
sharpen up that right -
he snarls, and I take my ticket, watching Celbridge flee this corporate lava





John Doyle became a Mod again in the summer of 2017 to fight off his impending mid-life crisis; whether this has been a success remains to be seen. He has has two collections published to date, A Stirring at Dusk in 2017, and Songs for Boys Called Wendell Gomez in 2018, both on PSKI's Porch.

He is based in Maynooth, County Kildare, Ireland. All he asks is that you leave your guns at the door and tie up your horses before your enter.

Saturday, April 3, 2021

Intersecting by Susan Tepper

In the blackness 
of the warm night
while I sleep
a witch-tree 
is screwed in the grass 
out back.
I don’t notice ‘til morning.
Bending to wiggle it
and feeling the hard ground 
pushing back 
saying No, thank you.
The thing is
small and ugly
just fallen branch sticks 
intersecting;
scarcely tall as my knees.
I’m afraid suddenly.
Though I’ve been afraid
all this year
and the one before.



Susan Tepper is a twenty year writer in all genres, and the author of nine published books.  Her most recent are CONFESS (a poetry chapbook by Cervena Barva Press, 2020) and a quirky road novel WHAT DRIVES MEN (Wilderness House Press, 2019).  Currently Tepper is in pre-production of an Off-Bdwy play titled THE CROOKED HEART which she based on artist Jackson Pollock’s later years.
www.susantepper.com



Thursday, April 1, 2021

Second Chances by Don Robishaw

    Four young girls sit on a dilapidated porch attached to a gray Cape Cod with worn and falling shingles waving to their Dad in the gravel driveway. The oldest cups her hand and whispers, “Looks like Mama’s pissed off, again.” A white T-shirt, a red bandana, and a pretty blond with gray streaks. The sole of Ellie’s rainbow-stained white shoe and her back rest against the faded gold Camaro. 
Rocky Midnight, her husband and professional minor league baseball player faces her with arms folded, head down . . . looking sad.
 “Twelve years, falling for your shit. Can’t take much more.” The mortgage payment is past due. Tears drip from her blue eyes. “Find a real job. Your family or the dream? Gave mine up for you a long time ago.” Arms folded across her chest, too. She looks miserable, though. 
    “Honey, sober one year now. It’s the big show this time,” says Rocky.
    Ellie’s eyes widen . . . she knows it’s his last chance at the dream. “Great, you stopped drinking. That doesn’t feed the kids. They’re tired of the taste of hot dogs and beans. I’m taking your suit to the cleaners. Back to the therapist’s and lawyer’s office Wednesday morning. Don’t forget.” Those frustrating years of listening to bullshit have added up.
Ellie pushes off the Camaro and asks, “What shit-hole this time?”
America’s highways and the old Chevy, bought with a signing bonus out of high school, have taken him to scenic Scranton, awesome Aberdeen, heavenly Hartford, Trenton, Allentown, and Tulsa-town too. 

Rocky says, “Honey, it’s not any of those one-horse-towns. It’s Boston.” 

He stayed positive through those years, even when his drunken father would say, ‘you’ll never amount to shit, kid.’ Last time his father said that he hung himself an hour later under the old Oak tree in the yard. 
    “Good luck,” Ellie says as he gets in the car and she returns to the smell of oil-based paints. Colors run in rivulets down the palette, dislodged by tears running down her cheeks. She leaves a hollow abyss between the four girls on the canvas. Sadness and disappointment fill her artwork these days. 
Ellie once had a scholarship to Rhode Island School of Design. Rocky told her, ‘If we chase two rabbits, we won’t catch either.’ She agreed. 

                                                        *                                                 
    It’s the second occasion in his pitiful career he’s on the pitcher’s mound as the starter for the Boston Red Sox Major League team. Sober this time. He’s waiting for the umpire’s traditional call to, play ball. 
    Two men, slower than usual, walk towards the mound as Rocky tosses a baseball back and forth. The manager speaks, “Sorry son, we have to bring everyone into the clubhouse.” They signal players to come in from the field. 
The umpire says, “Well, it was bound to happen. We can’t take the risk any longer.” The commissioner, owners, and feds suspended the season because of the pandemic. “You're out!” Rocky closes his eyes. . . 

                                                        * 

Rocky opens his eyes. . .  He removes his blue cap and swipes his forehead. Rocky never takes his cap off.  But wait, wasn’t that last year? It’s 2021. Scientists discovered an advanced quick-acting vaccine. There will be baseball today. Ten percent attendance is better than zero.   
                                                

His five biggest fans cheer from behind the dugout. Hot dogs taste better at Fenway Park. Messy faces -- girls love em’ with all the fixings. Ellie smiles as she drains a foamy sixteen ounce cup of draught beer. She stands, removes her cap with the red B on the front, waves it in the air, and with white foam covering her upper-lip screams, “Love ya, Captain Midnight!”




Before Don Robishaw stopped working to write, he ran educational programs for homeless shelters for thirteen years. 

Don's also well-traveled, using various ways and means: Sailor, Peace Corps Volunteer, bartender, hitchhiker, world traveler, college professor, and circus roustabout.

His work has recently appeared in, The Rye Whiskey Review, Drunk Monkeys,O’ Dark Thirty, Literary Orphans, Crack-the-Spine, The Remembered Arts, Open: Journal of Arts and Letters, Flash Fiction Magazine, and others. His chapbook, ‘Willie’s Bad Paper Odyssey’ was a semi-finalist in Digging Press 2018 Summer Chapbook Contest.

He like to write poetry, satire, tragedies, and gritty fictional tales — of men and women from various backgrounds — that may have sprouted from a seed, from his past.

Many of the characters he developed have been homeless, served for periods of time in the military, or are based upon archetypes or sterotypes he's met while on the road. 







Tuesday, March 30, 2021

I Hope You’re Eaten First by Scott Simmons

This lie consumes my soul.

You chose not to see it.
While I tried to destroy it.

But we are now both in the web.
Waiting to be devoured.

And all I can do is smile.






Scott Simmons is a poet, humorist, and artist of debatable quality from Houston Texas. 
 He is also the editor of the Dope Fiend Daily and enjoys reading your submissions as little as possible. 

His work has been featured in places such as The Rye Whiskey Review, Fearless, HST, Daune's Poetree, The Black Shamrock, The Anti-Heroin chic, and Under The Bleachers.





Monday, March 1, 2021

Terrain by Susan Tepper

Ice trails sluice 

rock face 

spiraling down 

the mountain

where all spawns 

in darkness.

I once spoke your name.

By god it drove me

up a wall then down.

Those days we could 

flinch on a dime 

and walk away

still feeling brand new.

This time don’t let 

your guard drop.

The animals know 

to stay in hiding.

What of you—

giving away your last

best years

a desperate clutching 

at willowy limbs, vines 

just beyond reach

‘til your feet shoot out

from underneath

sliding—

tumbling—

taking the full brunt.



Susan Tepper is a twenty year writer in all genres, and the author of nine published books.  Her most recent are CONFESS (a poetry chapbook by Cervena Barva Press, 2020) and a quirky road novel WHAT DRIVES MEN (Wilderness House Press, 2019).  Currently Tepper is in pre-production of an Off-Bdwy play titled THE CROOKED HEART which she based on artist Jackson Pollock’s later years.

www.susantepper.com